Category Archives: Twitter role-play

On the Road with Lolita and Humbert Humbert: A Public Literary Twitter Role-Play

The most notorious road trip in American literature, live on Twitter!

24 hours only: THURSDAY, JUNE 5, 2014 (anywhere in the world)

Follow @LolitaRoadtrip, use hashtag #lolitatrip for details and updates

Join our Stanford Literature and Transgression class as we take to the road with two of American literature’s most famous characters, Lolita and Humbert Humbert. Follow and interact with them as they travel through America, meet many strange and interesting characters (some of whom may be on the run themselves), and stop at notorious sights and watering holes along the way. Embody your favorite character from Nabokov’s novel or tweet as an author or character of other scandalous literary works or films (road movies!), popular culture or history, or make up memorable characters of your own.

Make sure you include your character’s name at the start of each of your tweets so we know who “you” are. Feel free to switch your persona, include links and visuals, be creative and engage others directly. Make sure you include that hashtag so we see your tweet!

Sample tweets:

  • LOLITA: Daddy-O is getting on my nerves again about enchanted hunters and stuff. I’d rather hunt for cute clothes. #lolitatrip
  • MOTEL OWNER: Why did they not ask for a rollaway? Better keep my eyes on this guy. #lolitatrip
  • EMMA BOVARY to Lolita: I know of a really lovely county fair nearby. Worth a stop! #lolitatrip
  • Milton’s SATAN: Getting ready for you any day now, Humb. Hear you’re a smooth talker like myself. Enjoy that evil #lolitatrip while it lasts!
  • HAROLD (from Harold and Maude): You’re so young. Not my thing. #lolitatrip
  • RYAN GOSLING: Hey girl, look here … #lolitatrip

 More details:

Lolita is a 14-year-old, fully social-media-savvy teenager. She has a smartphone, secret thoughts and agenda, and lots of contact with other people as she travels with Humbert Humbert. She visits internet cafes, chat rooms, may sometimes even “borrow” strangers’ phones. She loves comics, fashion, pop culture, so she often also posts visuals or links to stuff she likes. Humbert Humbert is a true technophobe, so he mostly has no clue about Lolita’s electronic life as they travel–which may be one reason why he truly doesn’t know her. Through the Twitter role-play, we get a privileged insight into Lolita’s character and thoughts via her tweets, instant messages, and postings. Don’t forget that she may also be into emoticons …

You can invent new characters or expand existing ones in Nabokov’s novel, even dead ones (e.g. Charlotte Haze, the brawny mechanic who talks to Lolita at a gas station, a hotel chambermaid who makes up HH’s and Lolita’s room, a former student of HH’s, someone at a restaurant who looks at Lolita and HH and wonders what they are doing, etc.)  Is anybody back home wondering about Lo and her stepfather? Had she confided in any friends at school or camp? Are any friends, moms or teachers suspicious or worried?  What’s happening to the Hazes’ empty house?

Other characters, authors from literary texts, or authors or ideas from theoretical texts about transgression also tweet. E.g., what commentary or advice would Madame Bovary, Bataille, Madame Edwarda, Herod, Satan, or Sam Delany have for Humbert Humbert or Lolita? How would “the Limit” tweet? What would “Transgression” say?  How would “Carnival” chime in? etc.

Suggestions for intertextual tweeting:

Some transgressive works that our Stanford class has read and discussed as a class this quarter (besides Lolita) and that may enter our mix of tweets include the following–but feel free to add your own books, movies, or favorite authors to our transgressive road trip!

  • Ibsen’s Ghosts
  • Flaubert’s Madame Bovary
  • Blake’s Marriage of Heaven and Hell
  • Milton’s Paradise Lost (Satan passages)
  • Wilde’s Salome
  • Bataille’s Madame Edwarda
  • Excerpts from Joyce’s Ulysses, Samuel Delany’s Hogg, Kathy Acker’s Empire of the Senseless
  • Alison Bechdel’s Fun Home
  • Marinetti’s Futurist Manifesto (and Valentine de Saint-Point’s Futurist-Feminist response)
  • Ionesco’s The Chairs
  • Allen Ginsberg’s “Howl”

 

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Filed under Nabokov, Lolita, Twitter role-play